Mical pena lost in the moment series#
The drawling, slow-motion goofiness of the millionaire baseball-team owner he played in the HBO series Eastbound & Down was inspired by a man he met while on a cruise with his wife and their six-year-old son. It isn’t the first time Peña has modelled a character on a real person. How did Pablo receive the news that he had been immortalised in a Marvel movie? “He was, like, ‘Oh that’s cool, that’s cool, man, so basically, yeah, wassup-wassup-wassup …’ He doesn’t care. His hands carve crazy shapes in the air as he babbles. I watch Pablo holding court at a barbecue, filling the gaps between words with superfluous chirrups, like a child colouring right to the edges of the page. He beckons me over, pulls out his mobile phone and shows me a video of the man on whom he based Luis: a friend-of-a-friend named Pablo. Focus on the opposites.” When I remark that their double act works a treat, he looks disproportionately thrilled. Paul and I realised it would be cool to play up the Abbott-and-Costello, Laurel-and-Hardy kinda thing.
“He was more like me at first.” Easygoing, that is.
“That wasn’t how the character started out,” he tells me. The picture’s comic energy is most abundantly in evidence whenever Rudd and Peña are together on screen: the former is laconic the latter fizzing and sparking like a human catherine wheel. Watch the Ant-Man trailer – video Guardian
Mical pena lost in the moment movie#
“It still feels to me like an Edgar movie at its core.” “Movies go from one person to another,” says Peña with a “what-can-you-do?” shrug. It was a no-brainer.” But Wright walked away from the project immediately prior to shooting when creative differences emerged between him and Marvel executives. Peña signed up for the film because he was eager to work with its director and co-writer, Edgar Wright (Shaun of the Dead, Hot Fuzz). Of course, Ant-Man has had its share of troubles.
They’re the socks you put on when things are going your way. But look at the socks: stripy, silly, multicoloured. He is dressed in a grey shirt, black trousers and dark blue suede shoes he swings his legs up in front of him on the chaise longue so that he is sitting almost in profile. (He has a stack of high-profile movies in production including Ridley Scott’s The Martian and a big-screen version, à la 21 Jump Street, of the old TV cop show CHiPs.) He is 39, with a lightly padded, lazily boyish face, and a moustache-and-goatee combo in boot-polish black. Put his improved mood today down to the more escapist slant of Ant-Man, a smoother relationship with his co-star this time around or simply an upswing in his own fortunes.
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